SUMMARY
Three wealthy elderly citizens die in three different districts over three days. There are no signs of struggle, no stolen valuables, and no security footage to provide a lead. The deaths appear natural, yet each victim is found holding a single piece of a white glove in their right hand.
Detectives Leo and Maya are called to investigate. They soon discover that the deaths are far from natural—they are masterpieces of precision. From a television screen frozen at a specific second to a microscopic injection mark, the evidence points to a killer with medical expertise and a deep-seated grudge.
The investigation leads them to Nova Care Services, a high-end nursing agency where all victims were recently assigned assistants. Hidden within the agency's history is the story of Julian Foss, a brilliant former paramedic whose mother was sacrificed for a clinical trial run by the three victims.
The Killer in White Gloves is a gripping tale of poetic justice and psychological warfare. It follows Leo and Maya as they set a high-stakes trap to catch a man who isn't just committing murders, but is teaching a final, deadly lesson to those who thought their past sins were forgotten.
COPYRIGHT
THE KILLER IN WHITE GLOVES
Copyright © 2026 by MIMI FLIX.
All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the author and publisher, MIMI FLIX.
This is a work of fiction. Names, characters, places, and incidents either are the products of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.
INTERNATIONAL ISBN: [INSERT ISBN HERE]
TRANSLATION RIGHTS: All international translation rights are reserved by MIMI FLIX. For inquiries regarding translation licenses for specific languages or territories, please contact the rights department.
Produced and Published by MIMI FLIX.
DEDICATION
To those who seek the truth in a world of shadows, and to the silent voices that wait for justice to finally speak their name. May we remember that while a crime can be hidden, the truth remains patient.
PREFACE
THE MYTH OF THE PERFECT CRIME
The world is obsessed with the idea of the perfect crime. We imagine a scenario where no blood is spilled, no fingerprints are left, and no camera catches a flickering shadow. We believe that if the evidence is invisible, the guilt is non-existent.
But there is a flaw in this logic.
A crime is not just an act of violence or theft; it is a disruption of the natural order. Every action leaves a ripple. Even the most professional execution—planned with surgical precision and timed to the exact second—carries the weight of its own motive.
In this story, you will meet a man who believes he has mastered the art of the invisible. He does not use weapons; he uses knowledge. He does not leave clues; he leaves messages. To the rest of the world, these deaths look like the simple, quiet end of a long life. But to those who know where to look, the truth is wearing a white glove.
Is a crime truly perfect if the truth eventually finds a way to wear it like a garment? As our detectives Leo and Maya will discover, justice is rarely a straight line—it is a circle that eventually closes on those who think they have outrun their own past.
MIMI FLIX
THE KILLER IN WHITE GLOVES
A CRIME WITH NO PRINTS. A REVENGE WITH NO MERCY.
CHAPTER 1: THE COACH’S LAST MATCH
The silence in Apartment 4B was not the heavy, suffocating silence of a tomb, but rather the quiet, clinical stillness of a museum after hours. The air carried the faint, lingering scent of wintergreen liniment—a smell that had followed VICTOR for forty years of his life. It was the scent of locker rooms, of strained muscles, and of hard-won victories on the turf.
Victor sat upright in his high-backed leather armchair, his posture still retaining a shadow of the discipline he had demanded from his athletes. His eyes were half-open, directed toward the large television screen mounted on the opposite wall. To any neighbor looking through the window, he would have appeared to be an old man lost in the late-night replay of a classic game. But Victor was no longer watching. His chest was still. The rhythmic ticking of the grandfather clock in the hallway was the only heartbeat left in the room.
On the television, a cricket match was in progress. Or rather, it had been. The image was perfectly still. A batsman was caught mid-swing, the ball a blurred white orb inches from the wicket. In the bottom right corner, the digital broadcast clock was frozen at 23:17.
It was a strange, haunting sight. Modern smart televisions didn't just freeze on a single frame with such clarity unless someone—or something—had commanded it to stop. The match was not over, but for Victor, the time had simply run out.
The apartment was a shrine to a life spent in the pursuit of physical excellence. Silver trophies, now slightly tarnished by the city's salt air, lined the mahogany bookshelves. Framed photographs showed a younger, darker-haired Victor blowing a silver whistle, surrounded by sweaty, cheering teenagers. He had been more than a coach to them; he had been a maker of men. Now, he was just a body in a chair, a retired legend whose final whistle had blown in the dead of night.
There were no signs of a struggle. The plush Persian rug was undisturbed. A glass of water sat on the side table, the surface of the liquid tension unbroken. The locks on the heavy oak door were engaged, and the security chain was pulled tight. By all medical logic, this was a textbook case of age catching up to a tired heart. At seventy-two, cardiac failure was a quiet, expected visitor.
However, a killer’s genius often lies in the details that don't belong.
Victor’s right hand rested on the arm of the chair. His fingers were curled into a loose fist, as if he were still holding the invisible whistle of his youth. But tucked between his thumb and index finger was a jagged fragment of white material. It was a piece of a WHITE GLOVE.
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